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Barbara Shermund's Open Door Policy

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The eBay description for this original cartoon art by Barbara Shermund has two pieces of information regarding its publication. First the listing states that this is a New Yorker cartoon. Second it gives the publication date as February 1957. Far more likely, this color cartoon appeared in Esquire. Given the subject matter, the cartoon would most likely have appeared in a December issue.

The appeal of this cartoon for Esquire's readers seems pretty straightforward. It depicts a young, shapely woman who is clearly not playing hard-to-get.

Barbara Shermund, "Why, Mr. Van Cleve!  The front door was wide open!"
Framed original artwork for Esquire[?], February 1957[?]

Barbara Shermund, "Why, Mr. Van Cleve!  The front door was wide open!"
Framed original artwork for Esquire[?], February 1957[?]

http://www.ebay.com/itm/Barbara-Shermund-Original-New-Yorker-Cartoon-/161233226921?ssPageName=ADME%3AB%3ASS%3AUS%3A3160&nma=true&si=UB68sj2DvLx%252F9kdb54zXrlCgzYs%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557




Note:  My two previous related posts on cartoons by Barbara Shermund may be seen here.

01087

Barbara Shermund's Wedding Plans

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A 1940 cartoon by Barbara Shermund from Collier's inquires whether it's ever too soon to begin to plan a wedding. The gag shows us the sort of independent-minded woman that Shermund was so skilled at depicting. The original artwork was offered at Illustration House in 2008 but went unsold.

Barbara Shermund, "I won't want it right away. I only met him yesterday."
Collier's,
December 7, 1940

Illustration House, June 7, 2008
Unsold
http://www.findartinfo.com/search/listprices.asp?keyword=12002&name=Barbara-Shermund


Note: Other posts showing the cartoon art of Barbara Shermund may be seen here.

Some other artwork from Collier's is on the blog here.

01088

Helen E. Hokinson Strikes a Balance

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Helen E. Hokinson's delightful cartoons reflect a bygone patrician age. Here one of her plump, well-to-do matrons reveals a surprising insecurity.

Helen E. Hokinson, "I never realized it was going to overbalance me."
Framed original artwork for the
New Yorker, August 22, 1931, page 30

Helen E. Hokinson, "I never realized it was going to overbalance me."
Detail of framed original artwork for the
 New Yorker, August 22, 1931, page 30

Helen E. Hokinson's signature

http://www.ebay.com/itm/VERY-RARE-Original-Signed-Helen-Hokinson-New-Yorker-Cartoon-Published-8-22-1931-/271249630804?pt=Art_Drawings&hash=item3f27bce654&nma=true&si=UB68sj2DvLx%252F9kdb54zXrlCgzYs%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557


Helen E. Hokinson, "I never realized it was going to overbalance me."
The New Yorker,
August 22, 1931, page 30

Helen E. Hokinson, "I never realized it was going to overbalance me."
The New Yorker,
 August 22, 1931, page 30



Note: More of Helen E. Hokinson's classic work may be seen on this very blog here.

It's spring at last! Posts about the new season may be seen here.

01089

Helen E. Hokinsons for the Flit

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Today the advertising campaign for Flit insecticide is remembered mostly for the fanciful artwork of Dr. Seuss and the effective tag line "Quick, Henry, the Flit!" At first bite, Helen E. Hokinson, who was known especially for her renditions of society matrons, seems an unusual choice of illustrator for the bug spray ads, but there no doubt was good reason to employ her talents. Her advertising artwork was specifically targeted to promote the Flit product to the independent women of the mid-1930's. That's why these "Bugbears" print ads were published in Woman's Home Companion and Good Housekeeping. Women were, after all, around during the daytime when summer flies and mosquitoes were at their peskiest, so why not teach them to do their own fumigating? In fact, the woman's club shown here is located deliberately in Owasco, a small upstate New York town in the Finger Lakes region where bothersome flies and mosquitoes are presumably a significant issue. The advertisements imply the product is both safe and easy to use. Flit is also supposed to be effective and economical ("It kills them all/The cost is small"). Two examples of Hokinson's artwork demonstrates the product being expertly used in a bustling woman's club meeting room and even by a grandmother dutifully protecting a young toddler from "nasty old flies."

Helen E. Hokinson, "Bugbears" Flit advertisement,
[Woman's Home Companion, June 1935 (
1)]
http://www.ebay.com/itm/1935-AD-FELT-bug-killer-cartoon-Helen-Hokinson-art-/201051568819?pt=LH_DefaultDomain_0&hash=item2ecf9b7ab3

Helen E. Hokinson, "Bugbears" Flit advertisement
Good 
Housekeeping, June 1, 1935, page 100

Note: Helen E. Hokinson has been mentioned on this blog here.

More advertising is here.

01090

My Entry in the New Yorker Cartoon Caption Contest #419

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Here is my entry in the New Yorker Cartoon Caption Contest #419 for March 17, 2014. The medical cartoon is by P. C. Vey but the diagnosis is all mine.

"Good news!  Guess what your health insurance covers?"

Hmm. If only I could take another stab at it:
"You have a highly-resistant gonococcus."


Note: The last time we heard from P. C. Vey on this blog, he created a drawing for a New Yorker Cartoon Caption Contest that was set in a doctor's office. I kid you not. See Contest #386 here.

Last week's New Yorker Cartoon Caption Contest required me to come up with something clever to say about a voracious sofa. You can guess how well that went. See the unvarnished results to Contest # 418here.

For a moment, let's forget about the New Yorker's caption contest in which the odds against mediocre captions becoming finalists are astronomical. Right now I myself am a finalist in the Moment Magazine Cartoon Caption Contest which is much friendlier to my brand of lame captions. In fact, this is the fourth time I was selected by Bob Mankoff as a finalist in this contest and you can read all the repetitive details here. You may even vote for your favorite caption entry here. Voting closes April 10.

01091

Seth: A Funny Dream

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Canadian artist Seth--why Seth? If I had an alliterative name like Gregory Gallant, I wouldn't call myself Seth. All right, sorry for the early digression.

Canadian artist Seth produced this original George Sprott artwork for the New York Times Magazine. It is entitled "A Funny Dream," but that header did not appear in the Sunday Times, perhaps because the word funny is used ironically, and the Times was already calling this feature "The Funny Pages." A different version was created by Seth for Drawn & Quarterly and ultimately the book George Sprott (1894-1975). Seth, as usual, manages to include complex emotions in his subject matter.

Seth (Gregory Gallant), "A Funny Dream,"
Original artwork for "The Funny Pages" in the New York Times Magazine, January 14, 2007.
Chapter 14 of George Sprott (1894-1975) as it appeared in the Times.

http://www.ebay.com/itm/SETH-George-Sprott-CHAPTER-14-ORIGINAL-COMIC-ART/360642894497?_trksid=p2045573.m2042&_trkparms=aid%3D111000%26algo%3DREC.CURRENT%26ao%3D1%26asc%3D27%26meid%3D7292689611730433963%26pid%3D100033%26prg%3D1011%26rk%3D1%26sd%3D360642894497%26


Seth (Gregory Gallant), "A Funny Dream"
The New York Times Magazine, January 14, 2007



Seth (Gregory Gallant),"A Funny Dream,"
Original artwork for "The Funny Pages" in the New York Times Magazine, January 14, 2007.
Chapter 14 of George Sprott (1894-1975) as it appeared in the Times.


Note: Additional posts about Seth may be seen here.

In the midst of March Madness, some of my readers may be wondering what I have to say about basketball. Well, this is it.

01092

Ivan Brunetti: When Things Were Better

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Last year, Ivan Brunetti sold his original comic strip artwork for the New Yorker on eBay. The artwork was altered in Photoshop prior to publication. The proceeds from the sale were put toward the printing of volume 4 of the Linework Anthology, a comics and graphics publication which came out in 2013.

Ivan Brunetti, "Things Were Better When They Were Worse,"
Original artwork for the New Yorker, December 21, 2009, page 107


EBay auction ending April 23, 2013
Ivan Brunetti, "Sketchbook"
The New Yorker, December 21, 2009, page 107

Linework Volume 4

01093

Hal Foster's Prince Valiant: Preparations for Escape are Interrupted

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This weekly comic page of Hal Foster'sPrince Valiant presents the artist with the challenge of depicting great depth convincingly. He pulls it off well. Prince Valiant's comic pages are often gorgeous, but the slow pace of some of the weekly installments makes this strip well-suited to book anthologies.

Hal Foster, Original comic strip artwork for Prince Valiant, March 2, 1941




Hal Foster, Original comic strip artwork for Prince Valiant, March 2, 1941


Note: More fine examples of original comic strip art on this blog may be seen here.

01094

The Ruin of the Spirit

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"Pure logic is the ruin of the spirit." That's what my fortune says. Tell it to Lewis Carroll. Tell it to Mr. Spock. Actually, the fortune cookie is quoting Antoine de Saint-Exupéry without attribution. Chinese fortune cookies will do that, you know. I suppose it's logical.

"Pure logic is the ruin of the spirit."
Antoine de Saint-Exupéry and the Little Prince on a 1997 French 50 franc note


Note: Fortune cookie wisdom has enlightened this blog in the past here.

Bob Mankoff's memoir How About Never--Is Never Good for You?: My Life in Cartoons is now officially published. You can read more about him on his website here, or on my blog here and even here.

01095

A Chon Day Brother Sebastian Sketch

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Pity Brother Sebastian. His hood and tonsure are so essential to our recognizing him that cartoonist Chon Day frequently drew him from behind. Here's an original sketch of Brother Sebastian that was blasphemously underpriced on eBay last year.

Chon Day, Sketch of Brother Sebastian

http://www.ebay.com/itm/Chon-Day-signed-autographed-card-with-sketch-/350859646496?pt=LH_DefaultDomain_2&hash=item51b0dd5620&nma=true&si=UB68sj2DvLx%252F9kdb54zXrlCgzYs%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557




Chon Day, Sketch of Brother Sebastian



Note: Chon Day's artwork appears on this blog here.

01096

Saul Steinberg: Wedding Document

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From the Bliss Collection comes this very official-looking Wedding Document by Saul Steinberg. Steinberg dated this October 15, 1966. As with any Steinberg document, the writing, the signatures, and the stamps are all indecipherable nonsense, but the overall effect is fancifully plausible and inspired.

Saul Steinberg, Wedding DocumentOctober 15, 1966


http://www.christies.com/lotfinder/drawings-watercolors/saul-steinberg-wedding-document-5598449-details.aspx?from=searchresults&intObjectID=5598449&sid=574f2515-cda3-4b27-9531-fa6eaf295d72
Saul Steinberg, Wedding Document (detail)

Saul Steinberg's signature

Saul Steinberg,Wedding Document (large detail), October 15, 1966


Note: See more by Saul Steinberghere.

01097

MoCCA Arts Fest 2014

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The 2014 MoCCA Arts Fest is right around the corner, coming to New York City on April 5th and 6th. The 2012 Festival was the first comic art convention I ever attended, and I had a surprisingly good time even though, as it turns out, the Museum of Comic and Cartoon Art was in the late stages of a serious financial crisis. Then MoCCA merged with the fiscally sound Society of Illustrators and its financial house was put in order. I was disappointed that the 2013 MoCCA show wasn't nearly as exciting for me, and I made fewer purchases accordingly. Now perhaps the pendulum will swing the other way.

Fiona Staples, MoCCA Arts Fest 2014
http://www.societyillustrators.org/Mocca_Event.aspx?id=10561


I'm not sure yet whether I'm going this year, but it seems that whenever I do go I come away with material for at least a few blog posts. For example, some swag I came across at the 2013 Fest included a pin promoting Art Spiegelman's MetaMaus. The next time I need to wear a pin with a swastika on it, I am ready.

Art Spiegelman, Promotional pin for MetaMaus


Note:  So just what was I up to at MoCCA Fest? See my old blog posts here.

More posts on Art Spiegelman may be seen here.

01098

My Entry in the New Yorker Cartoon Caption Contest #420

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If it please the Court, I present my entry in the New Yorker Cartoon Caption Contest #420 for March 24, 2014. The dynamic cartoon is by Drew Dernavich. The sedentary caption is by me.

"I miss the old lawyerly back-and-forth."



Here are a few of my unused captions, ladies and gentlemen of the jury:
"For once I can't get Justice Thomas to pipe down."
"She's put a new spin on the argument."
"I'd like to see the other branches get this innovative."
"And this is why we don't allow cameras."
"She just made a controversial point."
"Advantage First Amendment."
"I missed the opening salvo."




Note: Last week's New Yorker Cartoon Caption Contest was based on a drawing by P. C. Vey and set in a doctor's examination room. The doctor walks in with a giant hypodermic needle. What's funny about that? I sure don't know. You can see the clinical results of Contest #419 here.

While I may may not be able to write a decent New Yorker caption, Moment magazine isn't so picky. Four times running I have been selected as a finalist in the Moment Cartoon Caption Contest. Is that a record? I wouldn't have any idea. Ask the people over at Guinness. In the meantime, I have yet to write a winning caption and I doubt this month will be any different. I don't myself know whom to vote for. You can get the whole story here and vote for your favorite caption here.

My previous attempts to write captions for Drew Dernavich drawings have not been, shall we say, my best efforts. See my older posts concerning this artist here.

Soon I'll be posting my 1,100th blog post. Drumroll, please!

01099

Blog Post No. 1100: The Power of Google

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January 7, 2012 was the very first date this blog received 1,000 page views. It turns out that day was the centennial of Charles Addams, the creator of the Addams Family and many great and ghoulish cartoons. Google, the popular search engine, honored the memory of Addams with a Google Doodle on its home page, and thus many internet users with perhaps only a casual interest in the artist were prompted to search for the master's macabre cartoons. This blog even back then was a minor player in the online world of Charles Addams, and the uptick in traffic was enough for Attempted Bloggery to reach just over 1,000 page views for the first time. The lesson was clear:  Google possessed the powerful ability to direct web traffic to a great many specific places, including this blog.

Charles Addams Google Doodle
January 7, 2012

A glance at the monthly page views received by this blog shows an all-time peak for the month of October 2013. Since that date, the monthly page views have fallen off considerably, although not quite to what they had been previously. What then was behind the increase in this blog's internet page views in October?

The graph shows Attempted Bloggery page views for each month since the blog's inception, with the most pronounced peak occurring in October of 2013. Uncharacteristically, Google has mislabeled the three years to the left on the x-axis; this blog was begun in June of 2011, not 2009.


A closer look at the peak month of October 2013 shows that the increased web traffic did not occur throughout the entire month, but only during about two weeks, between October 9 and October 21, and then again on the last day of the month.
Attempted Bloggery Page Views for October 2013


A weekly graph highlighting the increased page views received on the last day of October 2013.

Here's an earlier view of the brief run-up that began suddenly after October 9 and ended in under two weeks.
Attempted Bloggery's Page Views, September 23, 2013 to October 22, 2013

Intrigued? One might imagine one particular page or search term was generating the unusual traffic, but that wasn't the case. The sources of incoming web traffic were unchanged as were the distribution of page views; there were simply more total page views in the same general pattern as always. And, as always, the prime referring site was Google. For whatever reason, no other search engine makes a significant contribution to web traffic here. My conclusion, then, was that the increased page views seen on this blog was solely because of increased search engine traffic from Google.

Search engine optimization is a goal of many websites, but realizing this kind of sudden upturn in traffic volume from one search engine is something largely out of one's control. The details of Google's ranking algorithm are proprietary, of course, but having external websites link to yours is probably one of the factors that increases a website's ranking in search results. Why such an effect should last for only two weeks and then largely disappear is a matter for conjecture. It could be the result of a minor tweaking of Google's algorithm or of something entirely different. Perhaps the increased traffic referred to this blog didn't stay on a page for more than a few seconds on average, and Google recognized that. Perhaps the bounce rate was high. Maybe Google's search engine results favor those sites that use AdSense, rather than an advertisement-free blog like this one. It's difficult to know what went on with any certainty.

Monthly page views here are currently on the order of 17,000. If page views were maintained at the higher rate seen briefly in October, it would come to some 45,000 page views per month, which sounds agreeable enough to me. While there would be little point to bringing readers here who are not interested in the subject matter, it is more essential that those readers who do wish to learn more about these topics are able to find their way here.



Note: All the Attempted Bloggery centennial posts may be reread here:

Blog Post No. 100

Blog Post No. 200:  A Shaggy Dog Story
Blog Post No. 300:  From the Libraries of Searle, Koren, Booth, and Saxon
Blog Post No. 400: The Attempted Bloggery Quiz
Blog Post No. 500:  The Second Attempted Bloggery Quiz
Blog Post No. 600:  What I Do When I'm Not Blogging
Blog Post No. 700:  The Many Hazards of Blogging
Blog Post No. 800:  Think Locally, Blog Globally
Blog Post No. 900:  The Blog I Was Meant to Write
Blog Post No. 1000: Happy New Year, Lurkers and All!

01100

Bernard Schoenbaum: The Baseball Stats

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Cartoonist Bernard Schoenbaum sees to it that the baseball stats are dutifully recorded. This rough cartoon was probably submitted to the New Yorker. It is most likely unpublished anywhere.

Bernard Schoenbaum, Tuesday:  Dear Diary...No hits...No runs...No errors.




EBay listing ending August 4, 2013
http://www.ebay.com/itm/Original-Bernard-Schoenbaum-Cartoon-Artwork-New-Yorker-Cartoonist-/271249627516?nma=true&si=UB68sj2DvLx%252F9kdb54zXrlCgzYs%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557


EBay listing ending August 12, 2013.
Sold to a single bidder.



Note: Play ball! Celebrate the new baseball season with Attempted Bloggeryhere.

01101

James Stevenson: Manager's Warm-Up

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One year ago on eBay, this cartoon rough by James Stevenson was sold. It is in all likelihood an unpublished gag. We're all familiar with how baseball players warm up, but what of the managers?

James Stevenson,Managers' Warm-Up
Rough drawing

http://www.ebay.com/itm/Rare-James-Stevenson-New-Yorker-Artist-Cartoon-Original-Baseball-Artwork-Drawing-/271183226815?pt=LH_DefaultDomain_0&hash=item3f23c7a7bf&nma=true&si=VJo29%252F7WbHpl1SY9gWmnl4%252FkT80%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557


Note:  Read up on this blog's baseball posts here.

James Stevenson's work was included in an auction I attended of New Yorker cartoons here. His subterranean vision of New York appears in my New York is Book Country post here. One of these posts is a bummer though.

01102

Peter Arno: The Market for Ball Players

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You may have noticed that the 2014 baseball season has begun. Way back in 1947, Peter Arno explained the market for baseball players with this clever New Yorker cartoon.

Peter Arno, "Sometimes we sell them, lady, but only to other teams."
The New Yorker,
September 6, 1947, p. 31


Note: Peter Arno makes numerous appearances on this blog here.

Other posts about the sport of baseball may be seen here.

It's April Fool's Day! Catch my older blog posts on the subject here.

01103

My Entry in the New Yorker Cartoon Caption Contest #421--Almost

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The unthinkable has happened. I neglected to submit my caption this week owing to a herd of rhinoceroses occupying my local internet cafe. Here then is my intended entry in the New Yorker Cartoon Caption Contest #421 for March 31, 2014. The cartoon is provided by Joe Dator and the mislaid caption is provided by me. As it happens, my caption is fairly straightforward here and would not likely have gained the attention of the judges.

"We need to get here before the stampede."

Another unused idea:
"What made you choose a place called Ionesco's?"

Note: A ping pong match before the Supreme Court? I thought the caption was obvious, but alas the decision of the judges is final. See my entry for Contest #420here.

Joe Dator appears in my essential blog post on New Yorker Cartoons at Auction here.

01104

Leonard Weisgard: How the Rhinoceros Got His Skin

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In December, ten illustrations by Leonard Weisgard for Rudyard Kipling's "How the Rhinoceros Got his Skin" along with a related production archive sold for $4,000. The tale is one of Kipling's Just So Stories. Weisgard published his edition in 1973.






http://www.bonhams.com/auctions/21029/lot/1317/

Note: More of the art of Leonard Weisgard may be seen here.

There is one more rhinoceros post on this blog and it appeared here only yesterday. Yesterday? How can that be? A lot of people don't realize what's really going on. They view life as a bunch of unconnected incidents and things. They don't realize that there's this, like, lattice of coincidence that lays on top of everything.

It's all part of the cosmic unconsciousness.

Tracey Walter explains it all for you in "Repo Man" (1984)

01105

A Year of Captioning

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Today, April 4, marks the first anniversary of my entering a cartoon caption contest. It all began rather inauspiciously with Danny Shanahan's drawing of a pig sommelier, a cartoon to be captioned on his brand new blog.



I had always felt overwhelmed by the absurdities of caption contest cartoons and in the past I hadn't considered myself up to the task of writing a line clever enough for any such competition. I don't consider myself much of a humorist although I may have written a funny line once or twice, if only for the sake of this blog. When Roger Ebert died, there was a lot of publicity about his own inspired entries in the New Yorker Cartoon Caption Contest. That, for me, was the key. I didn't have to think of myself as a funny man, just a writer. So I wrote.


One year after the fact, I present to you my very first cartoon caption contest entry. I submitted a total of ten unsuccessful captions, and when I summarized the contest on my blog, I chose to mention only two of the better ones. I did not include this one, and it is not worthy of note. It shows just how literal I can be. The first sentence is pretty much an exact description of the drawing. Danny Shanahan would never write a caption like that. Neither would Roger Ebert. It would take me a while to learn what to do instead.

The New Yorker Cartoon Caption Contest is the big leagues in this game. I started entering almost immediately. I encountered my first pitfall almost immediately. This Victoria Roberts cartoon appeared in Contest #375. Why is this egg smiling? I wrote a tortured caption to explain it.

"I really appreciate all your empathy, Doc. My last
analyst was an egg beater."

It's awful, I know. The finalists for this contest wrote excellent captions, and you know what? Every one of them ignored the smile on the egg's face. Once again, being too literal was something I was going to have to try to overcome.

It would also help if my captions didn't try to explain the gag's situation. The problem for me is that I like this kind of caption. A Michael Maslin pirate cartoon was featured in Contest #378. Here's the explanatory caption I submitted:

"She was my second choice. The only parrot in the shop
called me a damn buffoon."

Here's a better one, also explanatory, that I didn't submit. It's new to the blog:

"We'll have to make do.  Polly belongs to the casino now."

What I like about this second one is not that it's outrageously funny, but rather that it's an illustration of human foibles. Nothing like this is ever going to win a caption contest. It isn't clever enough. The question is, should I be trying to please myself or to win the contest? The point is moot. I'm trying to create an entertaining blog, first and foremost. The more mistakes I make, the more mistakes I can write about. If I misread the gag, so be it. If I have the wrong character speak, there's a story in that too. Just last week I forgot to submit my entry. There's no end to the ways one can go wrong. I receive some secondary gain from all this anyway. In general, my caption contest post is the most popular post in a given week. Why? I liken it to watching someone else fall on his face from the comfort and safety of your own living room. It's the captioning equivalent of "America's Funniest Home Videos."

Meanwhile, it's just possible I may be improving my game. Six months before I entered my first caption contest, I had occasion to write about an original cartoon by Claude Smith that had come down to us lacking its original caption. I took the liberty of creating one:

"But how on earth could they know you had 
the idea way before Jacques Cousteau?"
There's the germ of an idea there, but it doesn't quite work. Now, to celebrate a full year of caption-writing, I went back and tried my hand at it again. This time I think I nailed it:

For heaven's sake, Arnold, you have no case
against
 Jacques Cousteau."

Not surprisingly, I prefer some of my captions to those of the finalists. That's not so much a reflection on the finalists, but it is a reflection on me and my taste. To give an example, here's my caption for Mike Twohy'sContest #409:

"Right off, I can think of three good reasons not to
mention this to the boss."

Similarly, here's Tom Cheney's cartoon in Contest #412:

"I'll show you my act if you'll show me yours."

Now just compare that with where I started out:


Just what is it about blogging that so often strikes me as hilarious?

Note: All my cartoon caption contest entries this past year have one thing in common:  they are all losers, at least so far. See them all here.

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