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My Six Days with a Samsung Galaxy S 4

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Was it really such a crazy idea to try a new phone? In the days between my smashing the screen on my trusty iPhone 4S and the release of the new iPhone 5S, I decided to give the Samsung Galaxy S 4 a whirl. The phone was wildly popular as far as I could tell, and seemed to address a few of the deficiencies of the iPhone. If I was unhappy with my choice, I could return the phone within two weeks for just a $30 restocking fee and get the brand new iPhone. The risk seemed minimal.

In a world polarized by the merits of Microsoft and Apple, I tend to hedge a bit. This blog is written almost entirely on a Mac Book Pro and when I don't have it with me, I find it very difficult to make any headway at all here. If I need to work at my job from home though, I can't access anything without Windows and Internet Explorer. So I keep two laptops and I do whatever I need to do on each of them. I also have an iPad Mini which, for the most part, has a terrible interface with Blogger, so I don't use it much for this blog, with one crucial exception.

My first problem with the iPhone is that I don't buy into the whole iTunes phenomenon. I purchased my music years ago, and all I really want is a simple mp3 player to store and play it. The iPhone is not that player. Apple products are designed to effortlessly manage music purchased in the iTunes Store and to share it seamlessly among Apple devices, but for simple things like copying a file of your own music and playing it, it's rather obstructionist. I know there are workarounds for everything, but my point is that I shouldn't have to use them. IPhones deliberately limit functionality to protect the proprietary nature of Apple's music sales. I personally want nothing to do with it.

One answer might be to carry a separate mp3 player. I actually have an old Zen which should probably be in a museum now, but it's huge by today's standards and I don't carry it around too often.

The other problems with iPhones are well known. The camera is pretty good in daylight, but it doesn't perform well under low light conditions. I stopped carrying around a camera a couple of years back, and ideally a smart phone would replace a camera for most purposes just as it's replaced GPS devices, certain computers, watches, calculators, alarm clocks, and, for most people, mp3 players.

The Samsung Galaxy S 4


Most tech-savvy people I've spoken with make a good argument for shedding the iPhone in favor of the Galaxy. The Samsung Galaxy S 4's screen is big and beautiful. Files are easily copied, moved, and shared, just like in Windows. The camera is very good even in low light. I figured many people were delighted with the Galaxy, particularly those in the know. Besides, Apple always complained that their competitors virtually stole all the technology from their phones. So how bad could the Galaxy be?

Well, it turns out they didn't steal enough. The Galaxy may seem nice on paper, but it doesn't feel right in the hand. The ridiculous fold-over cover I was sold--probably out of concern I'd smash another screen--effectively precludes any reasonable attempt at one-handed operation of the phone. The phone was also just a tad too large to manage comfortably in my left hand and I wasn't at all interested in controlling it with my eye movements.

Moving between operations on the Galaxy did not feel smooth. There was no sensation of elegance in the phone's programming. And one of the first features anyone encounters in a new Galaxy is the ugly presence of bloatware. I hope Samsung is happy with the income they derive from packing the phone with these useless applications. For those who can't decide what apps they may want on their phone, I'm sure it's a godsend. For me, it made my introduction to the phone immediately unpleasant. My opinion of the phone did not improve appreciably over the next six days and I resolved to return the phone as soon as practical.

The iPhone 5S


I was concerned I might not be able to get my phone replaced immediately with the iPhone 5S, but fortunately the Verizon store had just one left with extra memory. I had set out to purchase a phone with this extra memory anyway, so it all worked out somewhat in the end, except that my contact list and text messages were respectively scrambled and deleted along the way. My overall experience for the week was decidedly unpleasant but I was truly happy, deliriously happy, to have an iPhone in my hand again.


Note: My previous posts on cell phones are here.

0934

Not to Be Believed

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Is it unwise for an auction house to put too low an estimate on a drawing? Usually not. Collector interest is piqued by low estimates, and in sufficient numbers they often bid up the price anyway.

But the Leslie Hindman Auctioneers estimate of $1,000-$2,000 for this exquisite James Thurber cartoon from the Ralph Esmerian Collection seems unreasonably low. In late 2011, the piece was won for $3,200.

Scarcely more than a year later, the drawing came back to the auction market at Swann Galleries, this time with a more appreciative estimate of $5,000-$7,000. It ended up selling for $10,455, including the buyer's premium.

James Thurber died on this day in 1961.

James Thurber, "He doesn't believe a single word he's read in the past ten years."

http://www.liveauctioneers.com/item/10391931

The drawing was resold at Swann Galleries about 13 months later for about three times the price.
James Thurber,"He doesn't believe a single word he's read in the past ten years."

http://catalogue.swanngalleries.com/asp/fullCatalogue.asp?salelot=2300+++++270+&refno=++670885&saletype=


Note: Anyone with details of this drawing's publication history should contact me.

More posts may be seen here.

News about James Thurber is covered on Ink Spillhere.

The website for Thurber House is here.

The New York City Marathon is tomorrow. I have one inspiring post here.

0935

License Plate: I Wanna Be...

Choosing a New Case for my iPhone 5S

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I am in the market for an iPhone case. Having lately smashed the screen of my iPhone 4S despite having a reasonable protective case, I recognize the limited ability of a case to protect one's phone. The case I used for my 4S was a gift, albeit an exceedingly apt one. For my iPhone 5S, I am taking on the sole responsibility for the selection. Despite my recent history and ongoing mishaps, I am basing my case purchase primarily on esthetics rather than the ability to safeguard my phone.

I do have a strong preference regarding image orientation. I feel a phone is usually held vertically when in use. Therefore designs with horizontal orientations will be considered only in passing. So, right away, the wonderful case with Figbash by Edward Gorey is eliminated, even though I really admire it.

Edward Gorey, Figbash iPhone Case
http://www.goreystore.com/shop/iphone-cases/edward-gorey-figbash-iphone-case


A different Edward Gorey iPhone case features a bat in moonlight. It has the preferred vertical orientation, but while I'm sure I'd love this around Halloween, I'm not sure I want it year round.
Edward Gorey, Bat Moon Black iPhone Case



http://www.goreystore.com/shop/bats/edward-gorey-bat-moon-black-iphone-case

This Disney case with Mickey Mouse as the Sorcerer's Apprentice is most similar to the previous iPhone case I had. It is also reasonably priced.
Walt Disney, Sorcerer Mickey Mouse iPhone 5 Case



http://www.amazon.com/Sorcerer-Mickey-Mouse-iPhone-Protective/dp/tech-data/B00B30LZ3C

Deciding among different iterations of the iconic Mickey Mouse is not an easy task. Fortunately, I never get tired of this.
Walt Disney, Colorful Mickey Mouse Icon iPhone 5 Case


http://www.yourwdwstore.net/Disney-iPhone-5-Case--Colorful-Mickey-Mouse-Icon_p_21866.html

Then there's always the classic Mickey.
Walt Disney, Mickey Mouse iPhone 5 Case



http://www.yourwdwstore.net/Disney-iPhone-5-Case--Mickey-Mouse_p_21867.html

Among the New Yorker artists, this English bull terrier by George Booth is superb.
George Booth, English Bull Terrier New Yorker iPhone 5 Case

http://www.condenaststore.com/-sp/The-New-Yorker-Dog-sits-scratches-barks-and-sits-again-iPhone-5-Cover-Prints_i9524027_.htm



I wouldn't mind this case depicting Groucho Marx in "Go West." It comes from Hong Kong and is quite inexpensive, so I question whether the company has actually licensed any of the many Western images it reproduces.
Groucho Marx, "Go West"

http://www.ebay.com/itm/MARX-BROTHERS-GROUCHO-GO-WEST-INDIAN-Apple-iPhone-5-Seamless-Case-Black-/290948486579?pt=US_Cell_Phone_PDA_Cases&hash=item43bde195b3



All right, it's time for me to make a decision. I've already chipped my brand new iPhone and time is of the essence.


Note:  My previous posts about cell phones may be found here.

An old post on the NYC Marathon is here. Don't expect much.

Election Day is this coming Tuesday. Be sure to vote. Related posts are here.

0937

Book Review: One Fifth Avenue by Candace Bushnell

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One Fifth Avenue
by Candace Bushnell


I don't think I'm going out on a limb when I say Candace Bushnell is still the world's most celebrated sex columnist. She fashioned her insightful New York Observer columns into the book Sex and the City, which became reincarnated as a deservingly popular and entertaining TV show. Our ideas about Bushnell may be shaped by the engaging TV series, but as a writer she's more sober and more serious than we might expect from the HBO show alone. Her prose is straightforward but not as finely crafted as her plots.

One Fifth Avenue (2008) is a novel set in a prime piece of New York City real estate, albeit the real address has been fictionalized. Like Lipstick Jungle, the book is full of strong female personalities. The men are once again less interesting. Nowhere is there much psychological depth.

Still, it's a fairly complex tale interweaving the various loves, intrigues, careers, and egos of those who live in or wish they could live in this landmark building. To her credit, Bushnell has let her characters age along with her and quite a few of them here are in their mid-forties. Surprisingly, or maybe not surprisingly given Bushnell's changing perspective, the twenty-somethings don't come off very well in the novel at all. No one in fact is particularly nice, and it's not easy to relate to most of the characters. The result is that we really don't care all that much. Bushnell has at least five of her characters writing for one medium or another, but even she doesn't seem to empathize with any of those practicing her craft.

In the end, we are asked to believe that fate has a way of giving nasty folks their comeuppance. We are told that couples who have really good sex should find a way to spend their lives together. And we learn once again that money can't buy happiness, but it can buy real estate.


Note:  I have other book reviews posted here.

Election Day is tomorrow. The relevant blog posts are here.


0938

Eldon Dedini's Recipe for Interrogation

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You never can tell what ingredients go into a recipe. This original piece of cartoon art by Eldon Dedini was sold on eBay in early 2011 by seller Lyn Etcetera of West Hollywood. The price was $350 postpaid.

The drawing shows a police interrogation and the style suggests it is from the early-to-mid 1950's. The publication history is unknown. The drawing is dedicated by the artist to the Cronheims. The artwork itself is 10 3/4" high by 10 1/4" wide.

Eldon Dedini, "All right, you put in one cup of flour, 3 teaspoons
of vinegar, 4 eggs...then what did you put in?"
Private Collection, David from Manhattan

Inscribed "With my greetings/to the Cronheims!/Eldon Dedini"

Note:  I am once again indebted to David from Manhattan for sharing images of his private collection here. As always, anyone with information on when and where this drawing may have been published should get in touch. 

Previous blog posts with artwork by Eldon Dedini can be found here.

In honor of Election Day, don't miss these posts here.

0939

My Entry in The New Yorker Cartoon Caption Contest #402

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Here is my latest entry in The New Yorker Cartoon Caption Contest #402 for November 4, 2013. The cartoon is by Mick Stevens. The caption is by me.

"See? Life does imitate art."



November 11, 2013 Update: 



Note:  My previous unsuccessful entry in the New Yorker Cartoon Caption Contest ishere.

Mick Stevens appears briefly in my essential blog posts on The Best of the Rejection Collection Eventhere and New Yorker Cartoons at Auctionhere.

The cartoonist's website is here.

Mick Stevens's New Yorker work appears in the Cartoon Bankhere.

News about Mick Stevens appears on Ink Spillhere.


This blog has more caveman humorhere, and I don't mean Fred and Wilma.

0940

Arthur Rackham: The Frogs and the Well

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It's that time of year again for the Chris Beetles Gallery's annual exhibition "The Illustrators," which features the best of British illustration art from approximately 1800 to 2013. As in previous years, Chris Beetles has unearthed an extraordinary selection of illustration art new to the market. If past years are any guide, the best items will sell out quickly. Take, for example, Arthur Rackham's 1912 illustration of "The Frogs and the Well" from Aesop's Fables. It has already been snatched up, more than ten days before the exhibition officially opens.

http://www.chrisbeetles.com/exhibitions.html

Arthur Rackham,"The Frogs and the Well" from Aesops' Fables. London: William Heinemann, 1912, page 161
http://www.chrisbeetles.com/gallery/illustrations/frogs-and-well.html



Note:  There is more artwork by Arthur Rackham on the blog here.

0941

The Lonely (and Hungry) Sea Dragon

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The Illustrators exhibition opening this month at the Chris Beetles Gallery  in London advertises that it includes art from 1800 to 2013. It does indeed have illustration art from this year, specifically illustrations by Rebecca Cobb for The Lonely Sea Dragon, a new children's book by Helen Dunmore.

Rebecca Cobb,"'You'd Get Hungry, if You Were as Lonely as Me,' He Said Lugubriously"
from The Lonely Sea Dragon (2013) by Helen Dunmore

http://www.chrisbeetles.com/gallery/children/youd-get-hungry-if-you-were-lonely-me-he-said-lugubriously.html



0942

Chon Day: Brother Sebastian with a Policeman's Cap

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An autograph album page signed by cartoonist Chon Day with an original illustration of Brother Sebastian sold last month on eBay for $25 to a lone bidder. The policeman's cap must have been a way of personalizing the drawing for the recipient, who most probably was employed in law enforcement.

Chon Day autograph drawing signed of Brother Sebastian with a policeman's cap
http://www.ebay.com/itm/CHON-DAY-BROTHER-SEBASTIAN-CARTOONIST-S-VINT-ORIGINAL-DRAWING-OF-THE-BROTHER-/370909746028?pt=LH_DefaultDomain_0&hash=item565bf1936c&nma=true&si=UB68sj2DvLx%252F9kdb54zXrlCgzYs%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557




Chon Day autograph drawing signed of Brother Sebastian with a policeman's cap


Note: More posts about Chon Day may be seen here.

Other autograph album pages may be seen here.

0943

An Off Syd Hoff Autograph

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Fred is the autograph collector and Syd Hoff is the cartoonist who signed and drew on a page of his autograph album.


http://www.ebay.com/itm/SYD-HOFF-NEW-YORKER-CARTOONIST-S-1930s-ORIGINAL-DRAWING-NICE-/231065070579?pt=LH_DefaultDomain_0&hash=item35cc8d2bf3&nma=true&si=UB68sj2DvLx%252F9kdb54zXrlCgzYs%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557





I don't know of any other cartoonists named Hoff, but Syd Hoff's signature usually has a small h, as in the offbeat 1939 magazine cartoon below. He may very well have altered the h of his signature in the autograph drawing to a capital letter H resembling a switch with the on position above and the off position below, that off doubling as the last three letters of his name.

Syd Hoff, "Milton, Come out of that amnesia--I'm Rebecca."
Unknown magazine, May 1939


Note: I'd love to hear of any other instance of Syd Hoff signing his name with a capital H. I'd also love to know in what magazine this 1939 cartoon was published. Does anyone out there have a good Syd Hoff archive? Well, there's always the official website www.SydHoff.org.

I have one earlier post on Syd Hoff and it's quite painless. See it here.

More autograph album pages may be seen here, including another one from this album signed by Chon Day.

0944

Gluyas Williams's Autograph

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A tip of the hat to illustrator Gluyas Williams, who signed a page in a fan's autograph album decades ago and included a caricature of himself tipping his hat.


http://www.ebay.com/itm/GLUYAS-WILLIAMS-NEW-YORKER-CARTOONIST-S-ORIGINAL-SELF-CARICATURE-/231065071049?pt=LH_DefaultDomain_0&hash=item35cc8d2dc9&nma=true&si=UB68sj2DvLx%252F9kdb54zXrlCgzYs%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557 






Note: Previous posts about Gluyas Williams, including another self-portrait, may be seen here.

Other pages from autograph albums, including two others with drawings from this very album, may be seen here.

0945

Welcome Home, Harold Klein

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Today we honor our nation's veterans--including Harold Klein.

Syd Hoff,The New Yorker, December 1, 1945, page 12

Detail



Note:  More posts about Syd Hoff are here.

The Syd Hoff website is hereand this cartoon is on it. There's a tidbit here on the real Harold Klein and Syd Hoff. Harold Klein was a Communist Party member investigated during the McCarthy Era. Is there a leftist inside joke here? Probably, but it seems to have nothing to do with the gag. Does anyone know any other instances of a New Yorker cartoon with a friend's or acquaintance's name surreptitiously planted in the gag?



More World War II cartoons posts are here.

Is this too new? I also have a couple of World War I posts here.

Is this too old? Try my sole Vietnam War post here.

0946

Al Ross: A Stockholder Motion

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This original cartoon by Al Ross depicts an unlikely stockholder proposal at a corporation's annual meeting. The seller states it was published in The New Yorker, something sellers of cartoons are wont to do. I can't verify this by the caption, which doesn't appear at all on my standard searches. The caption has an unceremonious squiggle through it anyway, indicating someone along the line didn't think it was ready to see print. If this cartoon was indeed ever published anywhere, it could just as easily have been with a different caption and that makes a search problematic. Furthermore, the markings and stamps on the back should readily verify whether this piece was actually handled by The New Yorker's editorial department, but the reverse of the artwork hasn't been shown to us by the seller. So to call this a published New Yorker cartoon right now just seems very iffy.

Incidentally, John O'Hara wrote a short humorous piece about owning a horse named Lady Belle which was published in the New Yorker of May 3, 1930 when Al Ross was only 18. Is it possible that some half a century later, Ross recalled this when he needed a name for a horse?

Al Ross,"I make a motion we put it all on Lady Belle in the fifth tomorrow." 
http://www.ebay.com/itm/Al-Ross-Original-Signed-NEW-YORKER-Cartoon-in-Ink-/390652318648?ssPageName=ADME%3AB%3ASS%3AUS%3A3160&nma=true&si=UB68sj2DvLx%252F9kdb54zXrlCgzYs%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557





Note: Any information on this piece's publication history would be greatly appreciated.

0947

My Entry in the New Yorker Cartoon Caption Contest #403

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Here is my latest entry in The New Yorker Cartoon Caption Contest #403 for November 11, 2013. The cartoon is provided by Liam Francis Walsh. The caption is provided by me.

"So you don't have the time to read Babar!"


Two other caption ideas:
"Go out and play in the veldt."
"...And where would you be if I had never gone out on the savannah?"



Note: My previous entry in The New Yorker Cartoon Caption Contest was pretty obvious, but a caveman really would say this.

The website of Liam Francis Walsh is here.

His New Yorker work is in the Cartoon Bankhere.

You can follow the latest news about Liam Walsh on Ink Spillhere.

My posts on Babar arehere.

0948

Dana Fradon's Strong Man

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In 2008, this original cartoon artwork by Dana Fradon was offered for sale by Russ Cochran's Comic Art Auction, where it apparently did not find a buyer despite the low estimate. The cartoon was published more than half a century earlier in the New Yorker of May 19, 1956. Performaing on stage, a strong man elevates a grand piano above his head while a sign off to the side reads "Piano by Steinway." The words on the sign were changed for publication, perhaps to take some of the emphasis off the Steinway brand name. I think the gag reads just fine the way Fradon originally had it.

Dana Fradon, original artwork for the New Yorker, May 19, 1956, page 116

http://www.liveauctioneers.com/item/5761933


Dana Fradon, The New Yorker, May 19, 1956, page 116

Dana Fradon, The New Yorker, May 19, 1956, page 116



Note: Another post with original artwork by Dana Fradon is here.

Michael Maslin's informative interview with Dana Fradon was just posted on Ink Spillhere.

Some of Mr. Fradon's New Yorker work is on view in the Cartoon Bankhere.

0949

Ronald Searle: How to Take Advantage of Italian Men

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"How to Take Advantage of Italian Men" was drawn for Holiday magazine, according to the notations of Ronald Searle, the illustrator. It's subtle, but if you look closely you'll note that the Italian man seen here is evidently something of a peacock. I don't know if this drawing was actually published.

Much of Searle's work for Holiday was reportage. This drawing is of a more fanciful variety not requiring travel to exotic locations.

A new exhibition, "Searle in America," opens November 16 at the Cartoon Art Museum in San Francisco. It contains much of Searle's reportage work for the American market. It would be a mistake to miss it.


https://www.skinnerinc.com/auctions/2655B/lots/524


Note:  See more of my posts about Ronald Searle here. 

"Searle in America," the exhibition of Ronald Searle's work for the U.S. magazine market opens November 16 at the Cartoon Art Museum in San Francisco. The Museum's information about the show is here. The drawing of "How to Take Advantage of Italian Men" is almost certainly not included in the exhibition.

The Searle in America blog is dedicated to this exhibition and can be seen here.

Perpetua, the Ronald Searle tribute blog, covers everything you need to know about Ronald Searle. See it here.

0950

Still on Our Honeymoon

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I'd like to wish a very happy twenty-second anniversary to my wife, who saw something in me all those years ago that no one else did. I am indeed a very lucky man that one woman considers me a keeper.

Otto Soglow,The New Yorker, June 4, 1949, page 58


Hey, they're playing our song!
"Unforgettable"
Nat "King" Cole
Natalie Cole



Note:  On the fiftieth anniversary of his assassination, you'll find only one post here about JFK.Here it is.

0951

Greatness in Your Lifetime

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I concede that this is an inspiring fortune. The only problem is that it didn't come from my fortune cookie! The good news is that it is my wife who is destined for greatness. The bad news is that proofreading skills are on the decline everywhere, including in fortune cookie factories.

"It's...very possible that you will achieve greatness in your lifetime."


Note: Much fortune cookie wisdom may be found here.

The documentary "Gahan Wilson:  Born Dead, Still Weird" by Steven-Charles Jaffe has its website here. The film opens on November 22 in Beverly Hills, California and will run through November 28. Here are the gory details:


The "Searle in America" exhibition is now showing at the Cartoon Art Museum in San Francisco. Sometimes I think I'm living on the wrong coast.
Fifty years ago this week President John F. Kennedy was assassinated. I have my one relevant blog post here.

"Catching Fire" opens later this week. My reviews of the books in The Hunger Games series may be found here.

0952

Gahan Wilson's One-Stop Shopping

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This original cartoon by Gahan Wilson may have been published in Playboy. Then again, maybe it wasn't. The documentation is vague and not easy to verify. A few words scribbled on the back of a framed drawing don't necessarily carry weight. As a service to to future cartoon historians, it's always best to specify date and page number as well as the name of the publication.












Note: Was this cartoon published in Playboy?If you know the publication history of this drawing, please let me know. Attempted Bloggery has a great many remarkable drawings with unknown or incomplete publication histories. If you're interested, you may review them all here.

Gahan Wilson's cartoons are no stranger to this blog. The many blog posts regarding his work may be seen here.

Gahan Wilson's work for the New Yorker may be found in the Cartoon Bank here.

The documentary "Gahan Wilson:  Born Dead, Still Weird" by Steven-Charles Jaffe has an informative website here. The film is being screened in Beverly Hills from November 22 to 28. Here are the gory details:

Gahan Wilson's 2009 radio interview on the Leonard Lopate Show is archived here.

You'll always be able to find the latest news about Gahan Wilson on Ink Spill here.

Want more? There are also a few illustrations by Gahan Wilson on The Pictorial Arts blog here.

With JFK in the news, I remind you of my one blog post about him, which is here.

The movie "Catching Fire" opens this Friday. You can read what I had to say about The Hunger Games trilogy here.

0953
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