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Peter Arno's Side-Show for August 1937

It'a hard to think of a cartoonist who got more mileage than Peter Arno did simply from observing the mutual attraction of the sexes. But here we are in the August 1937 issue of College Humor and our boy is at it again...

The full page College Humor cartoon of a motorcycle cop confronting an unseen couple calls to mind a famous gag Arno did for the New Yorker of December 7, 1929. In that cartoon a couple approach a police officer on a motorcycle. The man carries a car seat cushion and says, "We want to report a stolen car." The reader is left to surmise what the couple has been doing outdoors with just the seat cushion. This cartoon was assigned to Arno by Harold Ross, the magazine's founding editor, who nevertheless was later rumored not to have gotten the joke. Arno seems confident, though, that the College Humor crowd will understand a similar scenario without any further need for explanation.

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"We want to report a stolen car."
Peter Arno
The New Yorker, December 7, 1929, page 31



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"Ready or not—I'm gonna give you a ticket!"
Peter Arno
College Humor, Vol. 5, No. 4, August 1937, page 10
Scanned by Dick Buchanan

The two remaining half-page gags are set at a nudist colony and on board a cruise ship. Arno sets each one up so the knowing reader can feel more perceptive than the naive speaker. Vive la différence.

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"And what do you do for excitement?"[above]
"Herbert—who is that man daughter is talking to?" [below]
Peter Arno
College Humor, Vol. 5, No. 4, August 1937, page 11
Scanned by Dick Buchanan


Note:  For more on Harold Ross and whether he did or didn't understand Arno's stolen car gag, see Dale Kramer'sRoss and The New Yorker, 1952, pages 201-202; James Thurber'sThe Years with Ross, 1957, page 255; Brendan Gill'sHere at the New Yorker, 1975, page 33; and Michael Maslin'sPeter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist, 2016, pages 64-65.

Thanks again to Dick Buchanan for using his world class scanning skills to obtain such gorgeous results. Dick contributes regularly to Mike Lynch Cartoons, most recently a captionless piece entitled "'Captions? Who Needs 'Em?' Wordless Gag Cartoons 1947 – 1970."

You too can make scans for Attempted Bloggery. Together we can make obscure published art by Peter Arno and other New Yorker artists the order of the day.


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Peter Arno

Harold Ross

College Humor

Dick Buchanan

02336

My Entry in The New Yorker Cartoon Caption Contest #588

I have a hunch my entry in The New Yorker Cartoon Caption Contest #588 for October 16, 2017 isn't going to rise to the level of the bell tower. The drawing is by David Borchart.

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"I've been trying to ring you all morning."



Note:  Last week cartoonist Peter Kuper took us to an art gallery. My caption misread all the signs. Endear yourself to Contest #587.

Hmm. Does the name David Borchart ring  a bell?

02237

Jump Shot: Arthur Getz Original New Yorker Cover Art

The basketball season gets underway today. It's more than fifty years since Arthur Getz'sNew Yorker cover was published depicting a jump shot from nearly mid-court—there was no three-point line then. It's ten years since the original art was offered for sale at an Illustration House auction. No buyer was found.
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Arthur Getz
Original art
The New Yorker, February 5, 1966
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Illustration House
June 2, 2007
Lot 83

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http://www.findartinfo.com/english/list-prices-by-artist/7651/arthur-kimmel-getz.html
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Arthur Getz
The New Yorker, February 5, 1966


Note:  Desperately seeking original art by Arthur Getz for inclusion on the blog. And Susan.

Arthur Getz's website may be found at getzart.com.


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Arthur Getz


02338

Leo Cullum: The Father of the Bride of Frankenstein

I am by no means a fan of the practice of slabbing original autographs and even cartoons. I am certainly okay with using protective slabs to preserve coins, for example, and some collectible paper such as currency, stamps, and even comic books (although it's a shame not to be able to read them). So what then do I recommend when a cartoonist such as Leo Cullum embellishes and autographs a one dollar bill? Well, the cartoon should takes precedence over the paper it's drawn on, of course, so therefore I do not favor slabbing; indeed I prefer framing. Paper money collectors enthralled by the uniqueness of the item are free to disagree with me.

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Leo Cullum,The Father of the Bride of Frankenstein

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Now you know why they're called greenbacks.

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Leo Cullum
EBay Listing Ended June 27, 2015

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Leo Cullum
EBay Item Description

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Leo Cullum
EBay Bid History
A seven-day auction is decided in the final two seconds





Note: Your friendly blogger seeks scans and photographs of all manner of original art by Leo Cullum in all media. Check your wallet.


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Leo Cullum


02339

Folon in Japan

A unique copy of Jean-Michel Folon's Odakyu Grand Gallery catalogue from a Tokyo art exhibit was inscribed in June of 1985 to Eiichi Yamazaki, who presumably helped to organize the show. Yet it was never given to him. Instead, Folon brought the exhibition catalogue back to France along with the intended recipient's business card. Go figure.



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Jean-Michel Folon
Abe Books Listing as of October 9, 2017. Subsequently sold.




Note:  Your humble blogger seeks scans and photographs of uniquely-signed books and original art by Jean-Michel Folon.


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Jean-Michel Folon


02340

Dracula: The Definitive Edition, Signed and Numbered by Edward Gorey

Dracula:  The Definitive Edition of the Bram Stoker classic was published in 1996 with an introduction and appendices by Marvin Kaye and with illustrations by Edward Gorey. The deluxe edition and lithograph are each signed and numbered by the artist. The edition is limited to 750 numbered copies and 26 lettered copies. Copy #638 was listed on Abe Books on August 8 and subsequently sold.







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Bram Stoker
Abe Books Listing Beginning August 8, 2017

Note that the synopsis and review refer to two other very different editions of Dracula
Sold

Note:  Your blogger is batty for scans and photographs of uniquely-signed books and original art by Edward Gorey.


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Edward Gorey

Bram Stoker

Signed, Limited Editions


02341

Frank A. Munsey's Copy of Dracula by Bram Stoker

American newspaper and magazine publisher Frank A. Munsey was lucky enough to receive a signed copy of Bram Stoker's 1897 novel Dracula inscribed by the author on the day of publication. The seller now offering this volume on eBay surmises, "Undoubtedly, Stoker presented the book to Munsey in an unsuccessful hope that Munsey would serialize Dracula in one of his magazines." Munsey created a number of popular ten-cent pulp magazines, discovering a brand new market. He was also something of a novelist himself. The book has been rebound and is currently listed at $52,000. Too rich for my—ahem!—blood.



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Inscribed "Frank A. Munsey/from Bram Stoker/22-6-97"


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Dracula title page
Has anyone heard of Stoker's four earlier books?





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Bram Stoker
eBay Listing as of October 21, 2017

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Bram Stoker
eBay Item Description




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Bram Stoker

Signed,Books


02342

George Booth—A Cartoonist's Life

This week George Booth is coming to the Society of Illustrators! Curated by animator J. J. Sedelmaier, the show "George Booth—A Cartoonist's Life" opens on October 24 with an opening reception on the 27th. "This is the first exhibit exclusively dedicated to George Booth's work," according to the Society's website. That represents a tremendous oversight on the part of the art world, even though technically it isn't true. In 1978, Mr. Booth had a monthlong solo exhibit at the Nicholls Gallery.

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"George Booth—A Cartoonist's Life"


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George Booth, 1996
Absolutely No Pets

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Three issues of Leatherneck with contributions by George Booth

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George Booth
"Mister Berghavin is not himself lately. And the cat hasn't been acting right, either."

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"George Booth—A Cartoonist's Life" at the Society of Illustrators
"This is the first exhibit exclusively dedicated to George Booth's work."

Meanwhile, forty years earlier...
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Art
The New Yorker, February 13, 1978, page 8

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Booth ad
The New Yorker, February 13, 1978, page 126

What do you suppose became of those $20 signed posters? As a matter of fact, there's one available on eBay right now!
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George Booth, signed exhibition poster for the Nicholls Gallery, 1978

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George Booth's signature










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George Booth
eBay Listing as of October 21, 2017

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George Booth
eBay Item Description
"Reframing wouldn't be a terrible idea." Yup.


* * *

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George Booth
"Very good, Leon."


Note:  All original artwork shown here is from the George Booth Collection via the Society of Illustrators website.

It's George Booth's moment. As always, I'm looking for scans or photos of original art by the cartoonist. Published rarities are also welcome.

I hope to be in attendance at the opening reception Friday. Don't be shy about saying hello.


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George Booth

The Society of Illustrators


02343

My Entry in the New Yorker Cartoon Caption Contest #589

Have a taste of my entry in the New Yorker Cartoon Caption Contest #589 for October 23, 2017. The drawing is by Christopher Weyant.

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"The chef has an encyclopedic vision of meatloaf."


These captions just didn't fit on the menu:
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"Would Monsieur care to hear tonight's specials?"
"Don't forget to save room for dessert."
"Would you prefer the large-type?"



Note:  What hump? Last week cartoonist David Borchart rang some bells. Claim sanctuary in Contest #588.

Christopher Weyant has been on this blog in a big way.

Try these gags on for size.

02344

My Entries in the Moment Cartoon Caption Contest for September/October 2017

Feast upon my entries in the Moment Cartoon Caption Contest for September/October 2017. The drawing is by Benjamin Schwartz.

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"Kosher style my rump."
"And this you call assimilation?"
"Never mix meat slop and dairy slop."
"Why don't you come over for a real
Shabbos dinner?"
"Do you know when I'll eat that? When people fly!"



Jewish Humor Glossary:  Kosher style is a catering term, not a religious term, with reference to food that may appear to be in the Jewish tradition without being certified kosher. Dietary law strictly separates meat and dairy. Shabbos is one way of saying the Jewish Sabbath.


Note:
  Benjamin Schwartz creates the caption contests for Moment magazine. 
I now have more than four years' worth of Moment cartoon caption contests in the archives. How many bloggers do you suppose can make that claim?

But why stop there? I just might be compulsive enough to have preserved all the cartoon caption contests I ever entered. 

02345

George Cruikshank: Giles Scroggins' Ghost

When standing all by the bed post,
A figure tall her sight engross'd
And it cri'd, "I be Giles Scroggins' ghost," 
Fol lol de rol de rol de ra.
The ghost it said, all solemnly,
Fol lol de rol de rol de ra.
"O Molly you must go with I,
Fol de rol de rol de ra.
"All to the grave your love to cool,"
Says she, "I am not dead, you fool."
Says the ghost, says he, "Vhy that's no rule,"
Fol lol de rol de rol de ra.
"Giles Scroggins' Ghost"
—Charles Dibdin, Jr.


George Cruikshank's illustration of the theatrical ballad "Giles Scroggins' Ghost" was offered for sale at Illustration House in 2007. It's ghoulish humor apparently did not resonate with any potential buyer and the artwork went unsold.

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George Cruikshank,Giles Scroggins' Ghost, c. 1830

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Illustration House
June 2, 2007
Lot 111
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http://www.findartinfo.com/english/list-prices-by-artist/1/16370/george-cruikshank/page/3.html

For publication, Cruikshank's watercolor was handed over to an engraver. So why was a color original needed at all?

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"Giles Scroggins' Ghost" illustrated by George Cruikshank
The Bodleian Library

Shepley Singers
"Giles Scroggins' Ghost"
Lyrics by Charles Dibdin, Jr.
Music by William Reeve

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"Giles Scroggins' Ghost"



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George Cruikshank

Halloween


02346

A Dog's Life: George Booth Original New Yorker Cover Art

The original artwork to George Booth'sNew Yorker cover of February 4, 1974 is included in the exhibition "George Booth—A Cartoonist's Life" at the Society of Illustrators. The illustration evokes a time—can it already be so far gone?—when working people with 9-5 jobs could be expected home before six. (See how the hands on the clock not only indicate the time but also point to the expectant dog.) It's a static but charming image in one-point perspective bursting with sumptuous color and ecstatic in its attention to detail; just look at that luminescent wallpaper! This cover also contains a rarity in Booth interiors: a tidy throw rug without a single fold or wrinkle. Note that the New Yorker's required strap along the left-hand border of the cover is a paste-on, apparently added as an afterthought.

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George Booth, original art
The New Yorker, February 4, 1974

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George Booth
The New Yorker, February 4, 1974



Note:  The artwork shown here is from the George Booth Collection via exhibition curator J. J. Sedelmaier. Thanks, J. J.

Right now it's George Booth's moment. But even when it isn't, I'm looking for scans or photos of original art by the cartoonist. Published rarities are also welcome.

I hope to be in attendance at the opening reception tomorrow night at the Society of Illustrators in New York. Don't be shy about saying hello. You can't miss me; my iPhone cover bears the very image in this post!


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George Booth

Original New Yorker Cover Art

The Society of Illustrators


02347

Charles Addams: A Roadster for Gomez

Charles Addams, creator of "The Addams Family," was a serious automobile enthusiast. As a result, he provided Gomez Addams with some very fine wheels. The drawing is currently listed on eBay.





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Charles Addams
eBay Listing as of October 27, 2017
https://www.ebay.com/itm/Charles-Addams-Original-Portrait-Drawing-of-GOMEZ-ADDAMS-In-His-Roadster-Signed/322846350467?hash=item4b2b245c83:g:wI8AAOSwuspY-M-T

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Charles Addams
eBay Item Description



Note:  I seek scans or photos of original art by the one and only Charles Addams,


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Charles Addams


02348

My Entry in the New Yorker Cartoon Caption Contest #586

Raise your feet while I come by and clean up with my entry in the New Yorker Cartoon Caption Contest #586 for October 2, 2017. The drawing is by Mick Stevens.


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"It's not much use without a magic carpet."



October 9, 2017 Update:  The Finalists



October 16, 2017 Update: I voted for the third caption.


October 23, 2017 Update: Winning Caption



Note: Last week cartoonist Drew Dernavich conjured up a genie but he too left out the flying carpet. My caption was on the job, you big nabob. Make a wish on the results of Contest #585.

See how Mick Stevens cleans up on this blog.

02323

The Water Flowers Signed by Edward Gorey

It seems superfluous to speak of oddities where the published work of Edward Gorey is concerned. Even so, The Water Flowers (1982) doesn't seem especially typical of the artist. The water flowers convey an unearthly menace with their spearlike form and subtle undulation in the current. Although they occur together, they each appear very much isolated. Compositional monotony is averted through variations in flower height on the cover (and depth in the interior illustration), and by Gorey giving each group a single flower that curves away from the vertical. Even the irregular spacing of the lettering on the cover across the flower stalks is unsettling. This signed copy is currently available on Abe Books.

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Edward Gorey,The Water Flowers, 1982


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Edward Gorey's signature

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Edward Gorey
Abe Books Listing as of October 28, 2017


Note:
  I seek scans or photos of rare books and original art and oddities by Edward Gorey,


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Edward Gorey


02348

Claude Smith's Haunted House Upgrade

The house depicted in Claude Smith'sNew Yorker cartoon of March 8, 1958 turns out to be more than just your typical fixer-upper...

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Claude Smith,The New Yorker, March 8, 1958, pages 44-45

Claude's original artwork to all eight panels was sold last year on eBay:
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Claude Smith, original art
The New Yorker, March 8, 1958, pages 44-45



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Claude Smith's signature






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Claude Smith
eBay Listing Ended July 27, 2016

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Claude Smith
eBay Item Description
"Shows some age." Don't we all?


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Claude Smith, original art
The New
 Yorker, March 8, 1958, pages 44-45
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Claude Smith, The New Yorker, March 8, 1958, pages 44-45



Note:  Boo! Do you know what I wish for on Halloween? How about scans or photographs of original art by Claude Smith and other New Yorker artists.


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Claude Smith

02349

The Pointless Book Signed by Edward Gorey

Edward Gorey produced many of his quirky works under various anagrammatic pseudonyms. He used Garrod Weedy only once for The Pointless Book in 1993, assigning the copyright to the pseudonymous author as well. Gorey has dutifully signed the book Garrod Weedy. The book has Gorey's characteristic hand-lettering and even without a Gorey cover illustration or Gorey's name, it does look every bit like a Gorey book, albeit a "pointless" one.


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Garrod Weedy is an anagrammatic pseudonym

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Edward Gorey's signature as Garrod Weedy
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Edward Gorey
Abe Books Listing as of October 29, 2017




Note:  See Brainpickings for a post on "Anatomy of Anagrammatic Pseudonyms: The Many Incarnations of Edward Gorey."

I am always looking for scans or photos of rare books and original art and eccentricities by Edward Gorey including any created in the name of his pseudonymous alter egos.


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Edward Gorey


02350

My Entry in the New Yorker Cartoon Caption Contest #590

When I'm not spelunking, I'm posting my entry in the New Yorker Cartoon Caption Contest #590 for October 30, 2017. The cave drawing is by Tom Cheney.

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"Ten thousand years from now, who's gonna care?"



These captions were too anachronistic.
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"Well, I don't have time to decorate, what with all the
hunting and gathering."
"I told you the graffiti wasn't mine."
"All he thinks about is food."




Note:  Last week cartoonist Christopher Weyant served up quite a menu. My caption had food poisoning, but you can still feast on Contest #589.

Check out the prehistory of my posts on Tom Cheney.

02351

Otto Soglow in College Humor, May 1937

In the May 1937 issue of College Humor, cartoonist Otto Soglow chronicles a frightening occurrence.

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Otto Soglow, College Humor, Vol. 5, No. 1, May 1937, page 17

Note:  This copy of the May 1937 issue of College Humor is part of the Steven Boss humor magazine collection at Columbia University, one of some 5,600 humor magazines proudly housed in the Rare Book and Manuscript Library. That makes at least one leading university making good use of its shelf space. For more information on accessing the collection, contact Curator for Comics and Cartoons Karen Green, Columbia's secret weapon in the war on boring library stacks.

Help me give Otto Soglow his due. Help me make Attempted Bloggery a leading showcase for scans or photographs of original cartoon art by Soglow and other artists whose work appeared in the likes of College Humor or The New Yorker. Clippings of rare, published cartoons are also desired.


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Otto Soglow

College Humor


02352

Otto Soglow in Broadcasting, March 24, 1941

In 1941, radio was very much in its heyday. Broadcasting, a trade publication which billed itself as The Weekly Newsmagazine of Radio Broadcast Advertising, could afford to hire leading cartoonist Otto Soglow to embellish its cover. The two-color cartoon features, evidently, an advertising or public relations executive who is something of a slacker. It is in seven panels. We see him arrive at his office (no phone in sight, mind you), hang up his coat, have a smoke on company time, and then take a nap. His work ethic seems rather wanting until he dreams of an angel who delivers a much-needed message. Today it seems odd that he has to physically report to the radio station in order to place a radio ad, but again there is no telephone and perhaps the recording of promotions had to be directly supervised. For an editorial cartoon, this looks a lot like a promotion for a specific radio station. WOR is a New York City station which first aired in 1922. That very early debut is the reason the station has only three call letters.

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Otto Soglow
Broadcasting, March 24, 1941

Note:  Have you got a rare, published cartoon by Otto Soglow? How about some original art? If so, I need your help to make Attempted Bloggery a go-to site for viewing a cartoon master's art. While I often seek out cartoons new to the internet, today I made one of many exceptions.


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Otto Soglow



02353
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